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Martin Elliott aka Martino is a designer based in Brooklyn, NY. 

Graduating from MIT with a Masters in Architecture, Martino an architecturally trained designer with over 10 years of diverse experience in design across mediums and scales. Proficient in working with print media, website UX/UI, apparel, video, and furniture design, leveraging an eye for identifying key core components to build compelling concepts. Specializes in projects that offer a layered complexity, ranging from easily digestible to contemplative experiences and is driven by a passion for interrogating the relationship between brands, the built environment, and digital media.


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Music Alias: Other Nomad
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Anatopia


Detroit, Michigan // Bed-Stuy, New York

Personal // Student

Anatopia’s work aims to highlight neglected facets of our environment through an 
afro-futurist lens.


Volume I consists of 14 unique collages that survey Detroit’s urban landscape in the ongoing foreclosure crisis and the aftermath of the 2008 financial crisis. 

These issues have roots that were established long before this century and are exemplary of problems that far too many communities in distress face across the American landscape. Ranging from access to broadband, to a literal deterioration of the education system’s architecture, to the right to clean drinking water and what to do about blight...


16x20 Print on 100lb Bond, Held by Martino



Archival “Slum Clearance Blueprint” of plot located in the famous Paradise Valley in Detroit, Mi




Exposition

ANATOPIA: (against)place determined by an external body politic, (a) new place discovered by an internal poesis. 


 Anatopia Badge




Exerpt from thesis: 


Leaks, demolitions, vacancy and ruins. Our City,What Ruins is a double entendre we use to describe the conditions of urban life at the peak time of our practice. On the one hand, one third of the land lay vacant, transforming into blight, and targeted for demolition. The city was the world’s flagship destination for wonders of the modern day ruin. We declared the largest federal bankruptcy in the nation’s history, and our democratically elected officials were on their way to prison. It was clear the ruin landscape was an allegory for a failing system from the top down. On the other hand, Our City, What Ruins willfully drops the connotations associated with the ruins and the blight that surrounds them, and the bodies who still call the neighborhoods home.

Our practice was born out of a necessity we saw to fill a void in society; a collectively led spatial justice practice that was willing to work both nefariously and legally, on the psyche and on the land, on damaged histories and invented futures.

We advocate for an expanded agency of the architect; especially in landscapes of divestment and subtraction. This thesis explores spatial and socio economic tactics relating to rebranding of the body, community wealth building and emancipatory infrastructures in the form of drawings, models, slides, legal documents, literature, animation, collage and various other materials and documentation from the time of our practice. All of this presented in the very bureaus we discovered and rescued from a school tainted for demolition. Just as our practice worked to unravel the failed bureaucracy that helped produce Our City, we dive into our bureaus to question What Ruins?






Collage Series

18 Collages  


Research Exerpt

Detroit neighborhood west of downtown: circa 2017.

Home Studio


Home Studio Brooklyn, New York: circa 2020











©Other-Nomads 2024